While I have not been the most avid of X-Men readers in recent years, the title will always hold a special place in this fanboy’s heart. I own more comic books with X-Men in the name than any other and have always felt the characters and family of related books to be some of the best, most fun comics on the stands. And while I won’t buy the new Uncanny X-Men book as a protest to the recent, unnecessary renumbering (at least in my mind) that didn’t stop me from getting into the new Wolverine and the X-Men book that has been a blast to read since issue #1.

Part of what I love about it is the old school (pardon the pun) X-Men vibe it has running through it. By returning to the school setting and brining on board a number of younger mutants, the book feels like a fusion of the best of the Chris Claremont and Grant Morrison eras. The person who gets the most credit for making this work is writer Jason Aaron. Wolverine and the X-Men has some of the best dialogue I have read this side of a Brian Michael Bendis comic, combined with stories that would feel right at home during the height of the Chris Claremont period. Plus he has thrown in just enough of the absurd, widescreen feeling of the Morrison comics that the whole thing feels like comfort comics for the soul.

In issue #5 we are given the return of The Brood, a villain very familiar to longtime readers of the X-Men and the most original biology lesson you will ever see. And while the script and story work really well and hit all the right beats, it is the phenomenal art of Nick Bradshaw that really brings it all together. While I enjoyed Chris Bachalo’s work on the first three issues, it at times seemed frantic and a bit unfocused. With Bradshaw, you get page after page of detailed artwork with full backgrounds and solid line work. While his work does remind you a whole lot of Arthur Adams, he definitely has his own style and way of telling a story. I really hope him and Bachalo take alternating arcs on the book. I would hate to not be able to see his version of the X-Men on some kind of a regular basis.

With the coming of the monster Avengers vs. X-Men series this spring/summer, it will almost be impossible to avoid any book with Avengers or X-Men in the title. If they were all as good as Wolverine and the X-Men, I really wouldn’t mind nearly as much.

The art in the background of today’s comic is again by the ridiculously talented (and cool) Britt Miller. If you are not familiar with this Philadelphia art legend, you need to be. Now.

You can find out all about her and her incredible art on her website www.brittmillerart.com

When I was growing up, you were either a G.I.Joe fan or a Transformers fan. I mean, you could read and collect from both franchises, but when it came down to brass tacks, you had to pick one or the other. I always fell on the G.I.Joe side of the discussion and still do to this day. A large part of the reason for that was, and is, the G.I.Joe comic books. The television ads for the comics were just so cool, how could you not want to run out and buy them? Plus, Larry Hama created not just a toy tie-in comic with the series, but a military soap opera with plotlines that went on for years and years. That and Storm Shadow is the shit, hands down. I would take him against Batman and Wolverine any day.

So when IDW relaunced the Marvel continuity Hama at the wheel, my inner 12 year old squealed with delight and I was reading G.I.Joe comic books again, something I never thought would happen.

Issue #175 is another fine example of why Hama is such a mastermind with these characters. The issue spotlights Snake Eyes and Storm Shadow as they go after the Blue Ninja Clan which is responsible for the killing of Cobra Commander’s son Billy (If you’re completely lost by that statement, read the trades. You will not be sorry). It’s a fun, action filled issue that shows why the two ninjas work so well together and are by far the most popular characters in the series.

When S.L. Gallant first came on board as penciller, I was lukewarm to him at best. His style just didn’t seem to fit the personality of the book. However, over time he has really come to get a grip on the cast and has improved with each issue. Now I honestly can’t picture anyone else drawing the book. His Snake Eyes and Storm Shadow look great and he does a fine job with all the military high tech equipment.

IDW’s current G.I.Joe books may have more splash and get the lion’s share of the attention, but for old school fanboys like me, the original is the only way to go. If you are over the age of 30, you know exactly what I’m talking about. Let the countdown to G.I.Joe #200 begin!